straight stitches
one day, when this craziness is over maybe I will teach my scrap happy boro class
with that in mind I am sewing a second fabric/stitch sample book
I thought it would be fun to teach the basics here
I always stitch onto a foundation fabric
cut it 1/2 – 1″ larger than you want for the finished piece – the stitching will pull in
lightweight cotton, often old sheeting and it doesn’t have to be white
but dark or bright colours tend to confuse the eye when choosing scraps
my thread for stitching is thrums – leftover from weaving – crochet cotton from the charity shop is good
generally I use 2/8 weight cotton but love using 2 ply linen when I have it
and sometimes a bit of silk
add a button, better still make a cloth one by covering a plastic ring
add some beads and bits of ribbon or lace
I love using old clothing labels – once bought a blouse at Value Village just for the label!
like this one in the first boro book
it came from the striped fabric used in some of the stitching – my favorite blouse
I always start with a feature scrap and then build up around it
pin the pieces overlapping them to secure edges
then just start stitching -you may want all the stitching to go in one direction
on others stitch horizontal, vertical, diagonal and go in circles if that appeals to you
my favorite in a larger piece is to do all the stitching horizontally
that is what creates the look of ripples in the sand (the picture has been turned to show the texture)
don’t line up each row carefully or you will get long, straight ridges
had enough??
lets go for a walk
loved the gorilla in the garden
and the painted stones along the way
That looks really interesting. I am saving all these lovely ideas from posts up for when it starts raining again! Whilst it is fine the garden calls.
LikeLike
Sue – I do my stitching and spinning in the evenings when it is too dark to see the weeds.
LikeLike
I craft in the evenins too but mostly things I can do in my armchair. My studio is in a loft over the garage and I am too lazy to go up there after dark! Instead I go there on rainy days.
LikeLike
Sue – my studio is separate from the house and I don’t keep it comfortably heated just for an hour or two in the evening.
LikeLiked by 1 person
I think you are more dedicated or tougher than me!
LikeLike
Sue – maybe the appropriate word is obsessive or just darn stubborn.
LikeLike
Those are both good qualities in my book – they keep us going.
LikeLike
Sue – 🙂
LikeLike
thank you so lovely.
LikeLike
Dawn – 🙂
LikeLiked by 1 person
Love that ripple effect! Do you think the same effect would be achieved if using thinner layers and regular waxed quilting cotton, or does it need the thicker layered fabric and thread the weight of your thrums?
LikeLike
Kate – it needs the 2 layers to get the ripples but most of the layers are thin, regular light weight cotton, especially the old Japanese pieces. Although I do use handwoven (I weave very fine) but don’t do the ripples on the handwoven and 2/8 cotton is sett at 24 ends per inch – it is not heavy. The only way you will know if the quilting cotton works is to try it, don’t know about the waxed.
LikeLike
Thanks, that’s already a big help.
LikeLike
Kate – happy stitching.
LikeLiked by 1 person
I really like that texture you achieved through simple straight stitches. Might have to give that a try!
LikeLike
Sue – it is the texture that has me “hooked”, on a bigger piece it is so simple but effective.
LikeLike
Thanks! I am going to try some stitching!
LikeLike
Kjerstin – oh my goodness, I consider you a master stitcher, the Hitty wardrobe proves that. I’m sure you have plenty of scraps, maybe the girls will join you. 🙂
LikeLike