technique – process
although I would have loved to take more pictures of Bryan’s work
and I know you would love to see it
the work, the designs, the idea are his
he was just too busy to ask permission
I know it is common practice to help yourself to anything in the public domain
old-fashioned, maybe, but I don’t feel comfortable doing that
this work did not start with a quick trip to the local fabric shop
with very fine yarns, the fabric is first knitted (see Bryan’s blog)
or in some pieces old fabrics are re-cycled
patterns are designed and stencils cut from handmade paper treated with persimmon tannin
rice paste resist is handmade, applied and dried
many of the fabrics also include shibori
the dyes are two of the most labour intensive natural dye techniques
kakishibu, applied over several days and baked in the sun
only after all of this is it necessary to decide what to make with such precious fabric
and then put it together
an understanding of the process aids in a greater appreciation of the art
Lovely, this takes me back to Japan, Bryan and the Indigo Sisters…
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Blandina – wonderful memories to revisit.
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Hi,
I stumbled upon your blog in Bryan’s website. I am interested attending his workshop–hopefully next year. Would you be so kind to share some of your experiences with me, about your time in Japan and perhaps any tips?
Thank you again
Melinda Tai
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hi Melinda – I blogged extensively about my experience at the Japanese Textile Workshop in April 2012. the blogs would start in May 2012 as I stayed in Japan after the workshop. not sure what tips you want?? it would depend on your travel experience, what you hope to learn/achieve etc. if you want more detail you can email me privately at mjbetts@telus.net I’m sure Bryan would answer any questions you have, he is in Vancouver now with 3 workshops booked at Maiwa Handprints and plans to be in Canada for a couple more weeks. I’m not sure when he’ll return to Japan.
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The work and process look amazing. How long is the exhibition on for? Is it in Vancouver?
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Deb – the exhibition is on until Oct 8th at the Silk Weaving Studio on Granville Is.
Neki – it is exciting to see work that is really different, a blending of many techniques
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Hi, you mention in an older blog entry that you obtained powdered kakishibu from Osaka. Would you still have the address that you could send me? I do not think there is anyway I could get the liquid into Australia. And I would love to try it Marie
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Marie – we ordered from http://www.kakishibuusa.com but they have changed the site since then. I can get it from Chris Conrad in the US but the price was double and it is now available from the Paper Place in Toronto although I haven’t had any from them.
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What pleasure. To see Bryan’s work again and say hello. The photos of the process and first Hand experience of them do make it easier to respect the work. Thanks for sharing .
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hi Judi – it was fun to see Bryan and the wonderful new work he is doing.
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It is not old fashioned at all to resist making capital from someone else’s work. Good for you. I am grateful though for the glimpse of Bryan’s exhibition and hope it is all going well for him. Those of us who have been lucky enough to spend time with him at Fujina, know exactly how this work is achieved. Thank you.
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Carole – this work was unique, intriguing and very different from anything I’ve ever seen. wish I was closer so I could go back many more times.
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